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Lot 23
Aspects of Indian Art
Estimate : 8,000 - 11,000
Editor: Pratapaditya Pal
Place: Los Angeles
Binding: Hardbound in red cloth with gold embossing and dust jacket
No.of pages: 171
No. of plates+illustrations: 24 figures, 107 plates
This was a collection of papers presented by the author at the Los Angeles County Museum of Art in October 1970. 'This handsome volume celebrates the purchase of the Nasli and alice Heeramaneck collection of Indian, Napalese and Tibetan art by the Los Angeles County Museum. It publishes 19 papers, the themes of which range over as many centuries, contributed to a symposium held to mark the acquisition. [] General comment on such a diverse collection is not easy, yet the column can serve as an indication of what has been achieved in Indian art history in recent decades and what now requires attention and research. In studies of the history of Indian art, the first quarter of a century of Indian independence was an exciting period of discovery and expansion, the tale of which is worthy of the attention of those who relate intellectual and aesthetic history to its socio-economic background.'
(Excerpt taken from the Book Review by Simon Digby published in Bulletin of the School of Oriental and African Studies, University of London, Vol. 36, No. 3 (1973), pp. 686-689 (4 pages) Published By: Cambridge University Press)
Hammer Price :
8,000
+ Buyer premium (10 %)
 700.00
Total
8,800
The lot has ended
Description

Editor: Pratapaditya Pal
Place: Los Angeles
Binding: Hardbound in red cloth with gold embossing and dust jacket
No.of pages: 171
No. of plates+illustrations: 24 figures, 107 plates
This was a collection of papers presented by the author at the Los Angeles County Museum of Art in October 1970. 'This handsome volume celebrates the purchase of the Nasli and alice Heeramaneck collection of Indian, Napalese and Tibetan art by the Los Angeles County Museum. It publishes 19 papers, the themes of which range over as many centuries, contributed to a symposium held to mark the acquisition. [] General comment on such a diverse collection is not easy, yet the column can serve as an indication of what has been achieved in Indian art history in recent decades and what now requires attention and research. In studies of the history of Indian art, the first quarter of a century of Indian independence was an exciting period of discovery and expansion, the tale of which is worthy of the attention of those who relate intellectual and aesthetic history to its socio-economic background.'
(Excerpt taken from the Book Review by Simon Digby published in Bulletin of the School of Oriental and African Studies, University of London, Vol. 36, No. 3 (1973), pp. 686-689 (4 pages) Published By: Cambridge University Press)

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